float.digital

Founder and senior Architectural visualisation specialist

Since graduating from the Edinburgh College of Art in 2003, Andy has been a visualisation artist for over 20 years. His experience collaborating with designers and his love of storytelling through visualisation has allowed him to hone his craft over the decades. Andy started Float in 2019 with the intention of creating a highly talented team of collaboration-centric artists. Since then, Float has gone on to win multiple awards for visualisation, producing work for global brands and world leaders alike. He now supports the Float team as the managing and creative director, with a particular focus on quality and narrative.

When not at Float, Andy enjoys Warhammer: Age of Sigmar, and plays competitively on the Scottish competition scene. He’s a Brown Belt in Shotokan Karate and can often be found listening to Chillwave and enjoying a glass of Rioja.

Inside Float: The 7 Essential Client Characteristics For Building Great Relationships and Creating Amazing Visualisations.

For 20 years now, I’ve worked closely with design professionals and clients. When I was an in-house artist or visualisation team lead I would occupy the role of the client when commissioning artists to provide visualisation support for internal projects. As a freelance artist I was the consultant and the supplier. I don’t mind admitting that I wasn’t always the best client and learned some difficult lessons over the years. I also don’t mind saying that the journey never really ends when learning what it means to be a good consultant! However, at Float we have the pleasure of working with some great people who understand the value they stand to gain from the process, and whose character has really defined for us what it means to be a great client.

It might seem obvious to draw a line between the quality of a collaboration and the quality of the outcome, but conscientiousness and proactivity towards the process (as well as a clear shared vision) is the key to forming a truly collaborative partnership. So here’s seven recurring characteristics shown by our clients over the years that have resulted in truly enjoyable partnerships and have enabled them to get the most out of the visualisation process.

1 Accountability. Having a consistent voice is extremely important, even if the message is changing. When working with design teams that often contain a mix of design disciplines and internal managers, those who have had a champion on the client side have greatly assisted us in effectively meeting expectations in environments where the design is still evolving.

2 Commitment. We are never under any illusion about how complicated projects can be on the client side. However, clients who get the most from us are committed to being involved and present at key points throughout the project. Their head is in the game and they put in the work with us, staying close to the project at all stages from briefing to delivery.

3 Considered Feedback. This might be one of the most important characteristics of our clients. Because while we know that in the typical busy day of a complex design project, it can be easy to rush through mark ups and feedback, it’s important to invest time in this and give good feedback. Concise and clear measured feedback will always result in a better more efficient outcome for them and our clients know this. Time spent refining good feedback is always time well spent when working with a visualiser.

4 Quality of Communication. It’s perhaps the most repeated mantra in professional and corporate environments. Communication is sacrosanct but our clients understand that quality of communication is just as important as communication itself. They offer context when explaining detail and bring us into the history of the project without overcomplicating the vision. They remember that we are joining the collaboration often at the 11th hour of the project and adjust their approach with us accordingly. They communicate with us in a way that allows us to realise their vision effectively. Quality of communication is everything.

5 Trust. We know our clients are great at what they do, and they know we are great at what we do, so this gives us the opportunity to use our experience to bring perspective to the conversation. They want to hear our ideas and are willing to explore alternatives because they know that sometimes the best solutions come from the most unlikely of places. It’s our responsibility to challenge preconceptions as part of the briefing process and our clients trust in us is perhaps one of the most important parts of the client/consultant relationship.

6 Understanding Process. Our clients have realised that we as artists love what we do, and nothing pleases us more than when our clients are delighted with what we produce for them. In fact, it’s one of the best kept secrets in the visualisation industry that clients who take the time to understand and respect an artist’s process will often find themselves getting the unexpected benefit of enthusiastic contribution beyond the original scope of the project. Years ago, we worked on a set of visualisations for a fast turnaround emergency delivery. The only way it could be done was to work late but the client, understanding the pressure we were under, committed to staying with us in the studio for as long as it took to finish. We were so impressed with this gesture we worked through the night and the images were delivered to a delighted board who subsequently issued them for press release. The mutual respect yielded the best possible result for everyone involved and the relationship is still strong today.

7 Awareness. “Everyone you meet is fighting a battle you know nothing about. Be kind. Always” We have all heard this quote, but it’s particularly prevalent in the high-pressure world of design visualisation. Time is not often on a visualiser’s side, but we embrace the challenge and always strive to provide an effective and seamless service for the clients we work with. Behind the scenes can often be a fast-paced, complex, and carefully balanced operation though and our clients know this. They work with us in a very supportive and collaborative manner to enable us to focus on producing great work for them. They help us to help them.

It goes without saying that these characteristics are not exclusive to clients and equally apply to ourselves as consultants. Finding that ‘goldilocks zone’ of effective collaboration is one of the most rewarding things we can achieve in the visualisation industry and understanding how best to engage with each other is the key to being effective. It should be at the forefront of everything we strive to achieve, whether as a client or as a consultant.

Andy Pennington is a visualisation artist of 20 years and the director of Float, a company specialising in producing CGI for design industries. You can follow Float on Instagram Twitter and Facebook, as well as online at float.digital

ANDREW GLENESK

Senior Architectural 3D Visualisation Specialist

Andrew, is one of our senior visualisation artists at Float and holds Bachelor’s degree in Games Art and Animation from Glasgow Caledonian University. From complex 3D modelling to captivating immersive environments, Andrew’s attention for detail is second only to his passion for solving problems for our clients.

When he’s not creating compelling visualisations, Andrew can often be found fixing his car or playing Baldur’s Gate.

ALEX MCROBERTS

Senior Architectural 3D Visualisation Specialist

Alex, one of our visualisation artists at Float, holds degrees in Product Design from the University of Strathclyde and Digital Documentation & Visualisation from the Glasgow School of Art. From engineering to industrial design, he is experienced in various disciplines, all while harbouring a curious obsession with cracking technical puzzles.

When he’s not busy sketching splines and meticulously tweaking polygons, Alex can often be found fighting with his 7 Iron or attempting to turn his kitchen into a disco.

NATASHA CRAIN

Architectural 3D Visualisation Specialist

Natasha, a visualisation artist with a MA degree in 3D Design in Virtual Environments from Glasgow Caledonian University, brings her expertise to a wide range of projects, from local gigs to grand masterplans. She dedicates herself to consistently delivering exceptional work across various mediums.

Outside of work, Natasha explores her culinary creativity and dives into the world of video games. She can find herself spending hours battling fierce monsters, and occasionally a dodgy oven.

JO STEWART

Senior Architectural 3D Visualisation Specialist

Meet Jo, a senior artist at Float with a 1st class honours degree in Interior and Environmental Design from Duncan of Jordanstone Art School. 

With nearly 15 years of experience in the arch viz industry, Jo joined the Float team in summer of 2021, showcasing her exceptional attention to detail and a passion for bringing clients’ visions to life.

Outside of Float, you’ll find Jo immersed in her favourite hobbies. She loves the art of decorating and upcycling furniture. As a mum of two young boys, Jo also cherishes spending quality time outdoors, exploring the scenic wonders of Scotland.

ALASTAIR MILLER

Client Director

Alastair is our Client Director, with over 15 years of experience as a commercial leader in the field of architectural visualisation. He is hugely passionate about delivering top-tier architectural visualisation and digital engagement solutions that make an impact.

He is always identifying and seizing opportunities for our clients to add value and achieve more; challenging, asking questions and digging deeper to truly understand a client’s objectives and deliver outstanding results. He’s the go-to person to speak to about your 3D visualisation requirements.

When he’s not at Float, he enjoys hillwalking and has enthusiastically taken on the challenge of Munro-bagging. Also, not averse to a late night on the dancefloor.

Andy Pennington

Founder and Creative Director

Since graduating from the Edinburgh College of Art in 2003, Andy has been a visualisation artist for over 20 years. His experience collaborating with designers and his love of storytelling through visualisation has allowed him to hone his craft over the decades.

Andy started Float in 2019 with the intention of creating a highly talented team of collaboration-centric artists. Since then, Float has gone on to win multiple awards for visualisation, producing work for global brands and world leaders alike. He now supports the Float team as the managing and creative director, with a particular focus on quality and narrative.

When not at Float, Andy enjoys Warhammer: Age of Sigmar, and plays competitively on the Scottish competition scene. He’s a Brown Belt in Shotokan Karate and can often be found listening to Chillwave and enjoying a glass of Rioja.